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Michael's Maxims

Michael’s Maxim’s is a list of motivational ideas that I have come up with or come across over the years. I hope you find them inspirational and helpful.

General

Imitation – first we learn by copying
Assimilation – then we absorb the information and techniques
Innovation – then we create something new that is unique

If it’s not hard it’s not worth doing – Peter Blake

You can eat an elephant, one bite at a time – i.e. you can achieve big things if you do it little bits at a time

Limit your limitations and achieve your potentials

Every journey starts with a small step – and continues in small steps

Small steps will lead you to great heights

Don’t give up before you start

The only thing that’s stopping you is you

Thinking will make it so

If you think you can do it or if you think you can’t – you will be right

First we make our habits then our habits make us

Never give up - you never know how close you are to success until you arrive

There are no problems, only solutions – John Lennon

Read books – about your instrument, about how to learn, about composers and performers, about saving the planet

Use time efficiently – Time is one of your biggest assets

Things have to be wrong before they are right

Take the next step

Rhythm + Melody = a Tune

Melody & Rhythm are independent of each other

We only do 3 things when playing a wind instrument
1. Blow a sustained tone
2. Move our tongue
3. Move our fingers

Practising

Practise for 30 Minutes a day

Practise is about repetition in order to improve

Practising is the process of making improvements, step by step, so you can play with proficiency.

Practise to improve

Apply your intelligence to the music

Get past the boredom barrier

The Improvement Equation

Thinking + Awareness + Practise Techniques+ Repetition = Improvement

Always practise the bits you can’t play

· If you always practise the bits you can’t play, you will end up being able to play them, so you won’t need to practise them!

Our goal is to practise so we can play

The more you practise, the more you will enjoy playing

The 3 P’s – Practice, Patience, Persistence

· Practise regularly

· Be persistent – do things over and over and over again

· Be patient with yourself and your progress

Only practise on the days you eat

Slower is faster – the slower you practise something, the faster you will learn it

Anything is easy if you play it slowly enough

Always tap your foot

Always listen to what you’re playing, don’t just hear it

Never judge your playing as good or bad, just work out how to make it better

Divide and conquer – When practising divide the music into small bits and work on each one individually until you have conquered them all

Diagnose first where the problem is, then what the problem is and then how to fix the problem – and then fix it

Be creative in your practice – work out new ways to get things better – try different approaches

When practising stop at everything, when performing stop at nothing – i.e. when you are practising fix every mistake immediately and when performing forget about every mistake

Mix it up – Don’t always start at the start. Try starting at the end and work backwards i.e. play the last line, then the second to last line, then the third to last line or start at the last bar, then the second to last bar, then the third to last bar and so on or start on the last note, then the second to last note, then the third to last note and so on and so on

Practise passages forwards and backwards

All you have to do is play as well as you can

In order to be able to do something you have to be able to not do it first – therefore we will “fail at something before we can “succeed” at it.

We learn by a series of approximations of an ideal

Mistakes

Play your mistakes loudly

Be proud of your mistakes

Learn from your mistakes

Mistakes tell you what not to do

Learn to bluff – especially when sightreading

Music Reading

Never look at the note you are playing (always look ahead)

Reeds

The best way to avoid reed problems is to play the flute!

The Learning Equation: Time + Practise = Result

- Learning is a combination of Time and Practise

Technique

On a woodwind instrument we only do 3 things (no matter how complex a piece is). If you are having a problem with a piece, it will always be one or two or all three of these areas.
1. Produce a sustained tone – which may be a micro- second long or up to half a minute
2. Move the tongue – i.e. tonguing
3. Move the fingers – fingering

The 3 most important things about learning any musical instrument is Tone, Tone, Tone

Be proud to be loud

Tonguing should be Transparent

Achievement

We can only achieve what we can achieve – nothing more or less

Impossible is just a big word thrown around by small men who find it easier to live in the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing. – Mohammad Ali

Procrastination

Why procrastinate today when you can do it tomorrow

Tuning

Shorter is Sharper

Longer is Lower

 


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